| 花山崖壁画的艺术人类学价值和意义 |
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| 引用本文： | 张利群,张逸.花山崖壁画的艺术人类学价值和意义[J].成都师专学报,2011(2):63-68. |
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| 作者姓名： | 张利群 张逸 |
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| 作者单位： | [1]广西师范大学文学院 [2]广西师范大学艺术学院,广西桂林541004 |
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| 摘 要： | 花山崖壁画的绘画造型构图、色彩所表现的内容和形式一方面来自原始宗教、原始巫术构成因素,另一方面来自原始社会、原始文化的构成因素,从而以原始艺术的符号化形式承载壮族先民的精神文化与物质文化,表达了他们具有强烈的实用功利目的性的精神需求和物质需求,呈现出他们的生存、存在、生活状态及其发展历史,具有艺术人类学价值和意义。
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| 关 键 词： | 花山崖壁画 艺术人类学 影像造型 实用功利性 意味 |
The Artistic Anthropology Value and Significance of the Huashanya Precipice Frescoes |
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| ZHANG Li-qun,ZHANG Yi.The Artistic Anthropology Value and Significance of the Huashanya Precipice Frescoes[J].Journal of Chengdu Teachers College,2011(2):63-68. |
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| Authors: | ZHANG Li-qun ZHANG Yi |
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| Institution: | 1.School of Literature;2.School of Art,Guangxi Normal University,Guilin,Guangxi,541004,China) |
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| Abstract: | Huashanya precipice frescoes derive from two origins in the painting modeling composition,and their content and form of color display.One comes from primitive religion and primal magic;and the other stems from aboriginal society and culture.So these precipice frescoes carry spiritual and material cultures of Zhuang nationality ancestors,express their strong practical utilitarian purpose on spiritual and material needs,and present their survival,existence,life condition and the developing history,all of which demonstrate artistic anthropology value and meaning. |
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| Keywords: | Huashanya precipice frescoes artistic anthropology sculpt image practical utility implication |
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