| 古今文学在审美现代性上的互通点 |
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| 引用本文： | 朱德发.古今文学在审美现代性上的互通点[J].新乡师范高等专科学校学报,2005,19(3):42-49. |
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| 作者姓名： | 朱德发 |
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| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 中国古今文学在审美现代性上能够互通,主要的理论根据是趋同的人道原则、创作主体自觉、文化的承传性和审美文本的永恒因素;古今文学在审美现代性上的根本的、决定的互通点则是人本主义思潮铸就的作家主体的以人为本的艺术思维范式,它为中国文学史营造了先秦、魏晋、明代、“五四”、“新时期”等五个人的自觉与文的自觉相互并举的艺术时代;人本艺术思维范式之所以卓有成效地创构了具有审美现代性的文学作品,就在于它从创作选材、美学发现、艺术构思、形象塑造上所体现出的独特功能。
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| 关 键 词： | 古今文学 审美现代性 人本主义 思维范式 |
| 文章编号： | 1008-7613(2005)03-0042-08 |
| 修稿时间： | 2004年11月6日 |
The Common Grounds in Esthetical Modernity Between Chinese Classical and Modern Literature |
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| ZHU De-fa.The Common Grounds in Esthetical Modernity Between Chinese Classical and Modern Literature[J].Journal of Xinxiang Teachers College,2005,19(3):42-49. |
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| Authors: | ZHU De-fa |
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| Abstract: | This paper thinks that the Chinese classical and modern literature have some common grounds in esthetical modernity based on humanism, writers' consciousness, cultural heritage and permanent factors in the esthetical tests, and the prime factor is the thinking pattern based on the writers' humanism. Humanism brings the consciousness of individual and literature. There are five conscious times in Chinese literary history: the pre -Qin Dynasty, Wei & Jin Dynasty, later Ming Dynasty, May Fourth Times and the New Times. The reason why the humanism artistic thinking pattern could create literary works having esthetical modernity is its particular function of select material, esthetical findings, art conception and image shaping. |
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| Keywords: | classical and modern literature esthetical modernity humanism thinking pattern |
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