| "虚构"的纪录片--兼论纪录片的本性与风格化的表现 |
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| 引用本文： | 周振华."虚构"的纪录片--兼论纪录片的本性与风格化的表现[J].江苏广播电视大学学报,2004,15(4):56-60. |
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| 作者姓名： | 周振华 |
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| 作者单位： | 江苏广播电视大学,江苏,南京,210036 |
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| 摘 要： | 纪录片的本性是纪录片研究和制作中始终争论不休的一个命题，而写实主义的手法一直被认为是纪录片制造真实效应的不二法门。纵观纪录片发展的历史，随着纪录片研究和制作的发展、深入、多元，反写实手法纪录片的出现，纪录片的理念发生了巨大的变化，它更多的不是去强调客观、中性，而是强调纪录片对于现实世界的诠释。诠释以及诠释的模式是纪录片本体中最重要的两个方面。
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| 关 键 词： | 纪录片 本性 反写实 现实效应 |
| 文章编号： | 1008-4207(2004)04-0056-05 |
| 修稿时间： | 2004年3月31日 |
On Fiction Documentary Film:Its Nature and its Style of Representation |
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| ZHOU Zhen-hua.On Fiction Documentary Film:Its Nature and its Style of Representation[J].Journal of Jiangsu Radio & Television University,2004,15(4):56-60. |
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| Authors: | ZHOU Zhen-hua |
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| Abstract: | The essential nature of documentary film has long been a disputable subject in documentary research and documentary making, and the realistic style was always recognized as the best and even only method to produce reality effect. However, as the history of documentary development shows,the concept of documentary has changed dramatically along with the diversified and deepened development of documentary research and making, especially the appearance of the anti-document method. The nature of documentary now does not emphasis on the objectiveness and neutrality, but on a hermeneutic interpretation of reality. Interpretation and mode of hermeneutics become the most important aspects in the body of documentary. |
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| Keywords: | documentary nature anti-document reality effect |
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