| 论艾青早期诗歌中色彩与意象的绘画性表现 |
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| 引用本文： | 陈志华.论艾青早期诗歌中色彩与意象的绘画性表现[J].德州学院学报,2005,21(3):32-35. |
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| 作者姓名： | 陈志华 |
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| 作者单位： | 山东师范大学文学院,山东,济南,250014 |
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| 摘 要： | 纵观艾青的一生可以发现，他不仅是中国现代文学史上的重要诗人，还是一位有才华的画家。显然．留法三年从事绘画学习的经历对诗人的创作是非常重要的，其间他不仅在绘画技巧上获得长足发展．而且在文学领域接触到了诸如象征主义、表现主义等两方诗歌流派。这一经历形成了艾青诗歌巾注重色彩渲染和注重意象表现的特点；这一点形成了艾青诗歌的独特艺术个性，在其早期创作中尤为明显。
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| 关 键 词： | 艾青 早期诗歌 色彩 意象 感知方式 |
| 文章编号： | 1004-9444(2005)03-0032-04 |
| 修稿时间： | 2005年4月11日 |
The Graphic Expression of Colouring & Images in Ai Qing's Early Poems |
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| CHEN Zhi-hua.The Graphic Expression of Colouring & Images in Ai Qing''''s Early Poems[J].Journal of Dezhou University,2005,21(3):32-35. |
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| Authors: | CHEN Zhi-hua |
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| Abstract: | Three years' study of oil-painting in France was apparently very important for Ai Qing's whole life. During the period, he had not only achieved a great development in painting technique , but also widely contacted with most west poem schools such as Symbolism, Expressionism and so on, which widened his horizons enormously. The outstanding characters of lay emphasis on colouring and images in Ai Qing's poems are mainly caused by those experience, and this article will be attempt to discuss the point. |
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| Keywords: | Ai Qing the poems in early stage colour images perceptive mode |
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