| 以“臆”说《诗》——明清之际《诗经》文学诠释主体的张扬 |
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| 引用本文： | 李兆禄.以“臆”说《诗》——明清之际《诗经》文学诠释主体的张扬[J].济宁师范专科学校学报,2009,30(1). |
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| 作者姓名： | 李兆禄 |
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| 作者单位： | 山东师范大学文学院,山东,济南,250014 |
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| 摘 要： | 明清之际以金人瑞、贺贻孙、王夫之等为代表,上承中晚明戴君恩、钟惺等以"臆"说《诗》的余绪,挣脱"经"的束缚,充分张扬诠释主体的主动性,潜入《诗经》的艺术世界,展开想象,实现了艺术再创造。这种诠释符合文学规律,是对《诗经》的文学诠释,为《诗经》学尤其是为文学诠释《诗经》的发展作出了自己的贡献。
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| 关 键 词： | 明清之际 以“臆”说《诗》 戴君恩 金人瑞 贺贻孙 王夫之 |
Annotating The Book of Songs by Conjecture: The Publicizing of the Subject Who Literature Annotating The Book of Songs |
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| LI Zhaolu.Annotating The Book of Songs by Conjecture: The Publicizing of the Subject Who Literature Annotating The Book of Songs[J].Journal of Jining Teachers College,2009,30(1). |
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| Authors: | LI Zhaolu |
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| Institution: | LI Zhaolu(The Literature and Arts School of Shandong Nomal University; Ji nan 250014; China); |
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| Abstract: | In the Middle and Last Ming Dynasty,Dai Junen,Zhong Xing,etc.annotated The Book of Songs by conjecture.In the period between the Ming and Qing Dynasty,Jin Renrui,He Yisun,Wang Fuzhi,etc.carried on this way.They shook off the fettering of "jing",and publicized the subject s initiative.They slipped in the world of The Book of Songs,and fulfilled art-dual-creation.This annotation accorded with literature law,and developped the study of The Book of Songs,especially annotating The Book of Songs by the literature... |
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| Keywords: | in the period between the Ming and Qing Dynasty Annotating The Book of Songs by Conjecture Dai Junen Jin Renrui He Yisun Wang Fuzhi |
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