| 纪录片故事化叙事策略探析 |
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| 引用本文： | 汤铭之.纪录片故事化叙事策略探析[J].宁波教育学院学报,2014(6):100-101. |
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| 作者姓名： | 汤铭之 |
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| 作者单位： | 浙江传媒学院电视艺术学院,浙江杭州,310018 |
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| 基金项目： | 2014年浙江传媒学院电视艺术学院“三原色”科研项目。 |
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| 摘 要： | 在影视创作中,叙事就是讲述故事。纪录片把"讲故事"作为叙事方式,即采用的是故事化叙事策略。我国的纪录片经历了博物馆解说式的叙事方式、突出画面中心地位的叙事方式、镜头对准人的"讲故事"叙事方式等三个阶段。选择有故事的题材和叙事语言的故事性是纪录片故事化叙事策略的关键因素。纪录片故事化叙事策略的运用,让纪录片关注了"人"的世界,赢得了观众,引发了思考,但同时也提醒了创作者对尺度把控问题的关注。
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| 关 键 词： | 记录片 叙事 故事化 |
An Analysis of Narrative Strategy Applied to Documentary Production |
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| TANG Ming-zhi.An Analysis of Narrative Strategy Applied to Documentary Production[J].Journal of Ningbo Institute of Education,2014(6):100-101. |
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| Authors: | TANG Ming-zhi |
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| Institution: | TANG Ming-zhi (TV and Art College, Zhejiang Institute of Media, Hangzhou 310018, China) |
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| Abstract: | Narration means story-telling in film production. Taking narrative strategy in documentary is to adopt the way of story-telling. Documentary production in our country has experienced three stages：museum-introduction narration, picture-centered narration and narrator-projected one. The key to narrative strategy applied to docmentary creation lies in story selection and its language dramatization. To use the strategy, documentary making focuses on human being so as to attract audience and initiate their thinking. Meanwhile, the paper reminds producers of controlling the measure of shooting. |
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| Keywords: | documentary narration story-telling |
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