| 论相术对传统人物画的影响 |
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| 引用本文： | 刘怀英.论相术对传统人物画的影响[J].连云港师范高等专科学校学报,2006(3):64-66. |
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| 作者姓名： | 刘怀英 |
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| 作者单位： | 南京艺术学院,美术学院,江苏,南京,210013 |
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| 摘 要： | 相术是占卜的派生物。尽管它带有明显的封建色彩,但了解它的具体内涵和来龙去脉,便能从另一角度体悟我国古代思想文化和社会风俗的独特面貌与内在特征。文章从相面术的角度对传统的人物画进行了相关的诠释。
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| 关 键 词： | 相术 人物写真 人物画 |
| 文章编号： | 1009-7740（2006）03-0064-03 |
| 收稿时间： | 2006-05-27 |
| 修稿时间： | 2006年5月27日 |
Influence of Physiognomy on Traditional Figure Painting |
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| LIU Huai-ying.Influence of Physiognomy on Traditional Figure Painting[J].Journal of Lianyungang Teachers College,2006(3):64-66. |
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| Authors: | LIU Huai-ying |
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| Abstract: | Physiognomy is the derivation of divination.Although it has obvious feudal color,we can understand the special feature and inner trait of Chinese ancient ideological culture and social custom from another angle by knowing its connotation,origin and development.In this article,traditional figure painting is annotated from the angle of physiognomy. |
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| Keywords: | physiognomy figure portrait figure painting |
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