| 20世纪神话研究综述(上) |
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| 引用本文： | 黄震云,杨胜朋.20世纪神话研究综述(上)[J].徐州师范大学学报(哲学社会科学版),2003,29(1):22-27. |
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| 作者姓名： | 黄震云 杨胜朋 |
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| 作者单位： | 徐州师范大学,文学院,江苏,徐州,221116 |
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| 摘 要： | 20世纪中国神话学研究以“五四运动”，新中国成立，“文革”结束为分界点，经历了萌芽，建构，低迷，繁荣四个阶段。资料搜集由1920－1930年代的“整理国故”逐渐转向田间作业，建国后，形成搜集民间神话的高潮；在翻译介绍西方理论资料方面，也经历了从建国前简单的混合介绍到“文革”结束后分门别类的全面展开。中国神话学研究从理论到个体形象，从症状学特征到不同民族之间的比较研究以及神话史学等方面的取得重大成果。港台神话研究1950年代突起，有“乾嘉”遗我，成绩斐然；国外的神话研究以日本，苏联为代表，各自形成了自己的体系，其他各国的研究者在传播中国神话方面也发挥了巨大作用。
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| 关 键 词： | 神话学 20世纪研究 综述 |
| 文章编号： | 1007-6425(2003)01-0022-06 |
| 修稿时间： | 2002年7月15日 |
The Summary of China Mythology Research in 20th Century |
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| Abstract: | In the 20th Century the China mythology has gone through four stages: from seed to erection to down casting to prosperity. The boundary is the May 4th Movement, the foundation of New China, the Cultural Lag. The research of data has slowly turned to fieldwork from researching in national cultural heritage in 1920s. Since the foundation new China, it has a high tide of researching popular myths. On translating the West `s theories and data, it also goes through from brief introduce in 1920s and 1930s to putting into different categories after the Cultural Lag .the study has gained great breakthrough from theory to figure; from aesthetics to contrast in different nations as well as the history of mythology. The study in Hong Kong and Taiwan rose high in 1950s inheriting the style of Qianjia and gaining great achievement. Japan and the Soviet Union are the best in the foreign study about China myths. They have found the system themselves.The other foreign nations` researchers take a great influence on the spreading of china myths. |
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| Keywords: | mythology the study of 20th century summarize |
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