| 简论1930年代中国话剧的本体价值 |
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| 引用本文： | 康志宏,李勇强.简论1930年代中国话剧的本体价值[J].吕梁高等专科学校学报,2011,1(1):16-18. |
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| 作者姓名： | 康志宏 李勇强 |
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| 作者单位： | 1. 吕梁学院中文系,山西离石,033000
2. 浙江师范大学文学院,浙江金华,321004 |
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| 摘 要： | 1930年代中国话剧的创作主体接纳、借鉴精神分析学理论来改造戏剧性,不仅关注该理论本身所包含的合理性与偏颇,而且还立足于戏剧本体的规范,用高超的艺术手段将之吸纳融化,促进了话剧艺术的发展与深化。
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| 关 键 词： | 中国话剧 精神分析 本体价值 |
Essence of Chinese Drama in the 1930s |
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| KANG Zhi-hong
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LI Yong-qiang.Essence of Chinese Drama in the 1930s[J].Journal of Luliang Higher College,2011,1(1):16-18. |
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| Authors: | KANG Zhi-hong LI Yong-qiang |
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| Institution: | KANG Zhi-hong1,LI Yong-qiang2(1.Department of Chinese Language and Literature,Lvliang University,Lishi Shanxi 033000,China,2.School of Chinese Language and Literature,Zhejiang Normal University,Jinhua Zhejiang 321004,China) |
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| Abstract: | Chinese dramatists in the 1930 s accepted and learned from psychoanalytic theory to transform dramatization,through integrating the rationality of the theory and the norms of theatrical essence,and thus promoted the flourishing development of Dramatic Arts. |
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| Keywords: | Chinese drama psychoanalytic theory theatrical essence |
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