| 论春柳剧的悲剧特征 |
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| 引用本文： | 胡观毅.论春柳剧的悲剧特征[J].安徽职业技术学院学报,2008,7(1):52-54. |
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| 作者姓名： | 胡观毅 |
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| 作者单位： | 山东大学,文学与新闻传播学院,山东,济南,250100 |
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| 摘 要： | 作为早期话剧运动中出现最早、存在时间最长、影响最大的一个剧社，春柳社上演的剧目具有浓厚的悲剧特征，表现在为非常注重悲剧情境的渲染，以突出全剧的悲剧情调；重视悲剧冲突的设置，以展现人物命运的离合悲欢；在结局的处理方式上，打破了古典悲剧的“大团圆”结局采用西方悲剧中“一悲到底”的结构方式，以追求悲剧效果的惨烈性。春柳悲剧的诞生，标志着中国戏剧已经初步确立起了现代悲剧意识。
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| 关 键 词： | 春柳剧 悲剧 日本新派剧 |
| 文章编号： | 1672-9536(2008)01-0052-03 |
| 修稿时间： | 2007年2月13日 |
A Study on the Characteristics of Chunliu Tragedy |
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| HU Guan-yi.A Study on the Characteristics of Chunliu Tragedy[J].Journal of Anhui Vocationcal Technical College,2008,7(1):52-54. |
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| Authors: | HU Guan-yi |
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| Abstract: | As the biggest troupe which was estatlished earliest,existed longest and had the largest influence,the Chunliu Troupe put on stage a great deal of dramas with heavy tragedic characteristics.First,it pays great attention to exaggerate the tragedy situation,in order to prominent the entire play's tragedy affective tone.Second,it pays much attention to establish the tragedy's conflict,in order to demonstrate the parting sorrow and joy of the character's destiny.Third,in result's processing mode,in order to make the effect of the tragedy more severe,the Chunliu Troupe prefers to use the Western tragedy's "sad ending" instead of the classical tragedy's "happy ending" result.The birth of the Chunliu tragedy marks the establishment of the modern tragedy ideology of Chinese drama. |
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| Keywords: | Chunliu troupe tragedy the Japanese new school drama |
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