| 试论艺术语言的透视原则及其重建性 |
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| 引用本文： | 骆小所,谢学敏.试论艺术语言的透视原则及其重建性[J].玉溪师范学院学报,2002,18(4):41-44. |
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| 作者姓名： | 骆小所 谢学敏 |
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| 作者单位： | 云南师范大学,文学与新闻传播学院,云南,昆明,650223 |
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| 摘 要： | 艺术语言是和普通语言即科学语言相比较而言的,艺术语言产生于科学语言的极限处,它的言语形式和表意方式都有别于科学语言,它具有语法的变异性、表意的含蓄性,辞面和辞内的不吻合性等特点。所以,我们不能用研究科学语言的方法研究艺术语言,对此,透视原则及其重建性在艺术语言中起着非常重要的作用,我们应该以新观念来对它进行深入的探讨。
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| 关 键 词： | 艺术语言 透视原则 本质 |
| 文章编号： | 1009-9506(2002)04-0041-04 |
| 修稿时间： | 2002年6月27日 |
On Principles of Clairvoyance & Reconstruction of Art Language |
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| LUO Xiao-suo,XIE Xue-min.On Principles of Clairvoyance & Reconstruction of Art Language[J].Journal of Yuxi Teachers' College,2002,18(4):41-44. |
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| Authors: | LUO Xiao-suo XIE Xue-min |
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| Abstract: | When we compare with the ordinary language, we have art language, which arises in the extreme limit of the ordinary language. The art language differs from the ordinary one in linguistic form & expression. Because the art language possesses the characteristics of the variance in grammar, the implicit expression , the inharmonious diction, etc. , we cannot study it with the approach we study the ordinary language with . In addition, we must make further exploration of principles of clairvoyance & the reconstruction with new concept for they play an important part in art language. |
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| Keywords: | art language principles of clairvoyance nature |
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