| 大奏鼓的民俗学解读 |
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| 引用本文： | 陈辉.大奏鼓的民俗学解读[J].台州学院学报,2010,32(5):19-23. |
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| 作者姓名： | 陈辉 |
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| 作者单位： | 台州学院艺术学院,浙江临海317000 |
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| 摘 要： | 大奏鼓,原名＂大典鼓＂、＂车鼓亭＂,发源地在石塘镇箬山里箬村,原先是由流行于福建泉州、晋江一带元宵节闹花灯时迎神＂割火＂时表演的＂跳鼓＂演变而来。大奏鼓的表演方式,是由男性7-9人扮演女角,身穿类似戏曲中的媒婆服饰,手执扁鼓、木鱼,跣足上场,且敲且舞,伴以锣鼓、唢呐,热烈粗犷,幽默诙谐。大奏鼓蕴涵着箬山渔村独特的民俗文化,而民俗文化既是宝贵的文化资源,也是不可多得的旅游资源,其价值正在蓬勃兴起的民俗旅游中得到体现。
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| 关 键 词： | 大奏鼓 民间舞蹈 历史 现状 民俗学 解读 |
Folklore Interpretation on Dazougu Dance |
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| Chen Hui.Folklore Interpretation on Dazougu Dance[J].Journal of Taizhou University,2010,32(5):19-23. |
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| Authors: | Chen Hui |
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| Institution: | Chen Hui(School of Arts,Taizhou University,Linhai,Zhejiang 317000) |
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| Abstract: | Dazougu,a traditional folk dance,is widely spread at Ruoshan fishing village,Shitang town,Wenlin city in Zhejaing province.In 1990s,it was included in Collection of Chinese Folk Dance,and was selected in the second list of national intangible cultural heritage.Dancing wildly and humorously while playing on the drums,all the performers are men dressed like women： crescent-shaped hairpins on the heads,huge earrings from the ears,and bangles around the bare feet.Dazuogo dance is rare art in Han nationality with unique regional characteristics.This paper explores： 1.the history and status quo of Dazougu;2.the artistic features of Dazougu;3.the folk significance of Dazougu. |
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| Keywords: | Dazougu dance folk dance history status quo folklore interpretation |
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