| 论庐隐早期小说的审美意蕴 |
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| 引用本文： | 许德.论庐隐早期小说的审美意蕴[J].安徽师范大学学报(人文社会科学版),2000,28(3):424-429. |
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| 作者姓名： | 许德 |
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| 作者单位： | 安徽师范大学文学院,安徽芜湖 241000 |
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| 摘 要： | 庐隐早期的小说创作反映了“五四”时代初期的审美特征,体现了好小说创作的审美个性特点,也为她后期的小说创作提供了一个范式。本文认为庐 隐早期小说的创作展示了“五四”初期青年知识分子在情智冲突下的悲郁心态;开创了以情绪为中心选择色调、协调音韵、组织情节的审美形式;同时体现了虚无主义的宗教思想。
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| 关 键 词： | 庐隐:小说 情智冲突 诗词话语 情绪结构 宗教底蕴 |
| 文章编号： | 1001-2435(2000)03-0424-06 |
| 修稿时间： | 1999年7月1日 |
On the aesthetic implication of Lu Yin' s early novels |
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| XU De.On the aesthetic implication of Lu Yin' s early novels[J].Journal of Anhui Normal University(Humanities and Social Sciences),2000,28(3):424-429. |
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| Authors: | XU De |
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| Abstract: | Lu Yin's creation of early novels reflected the aesthetic characteristics of the early stage of "May the 4th" (1910's to 1920' s) era and embodied her individual aesthetic characteristics, which also provided a model for her later creation. Lu Yin's early novels revealed the young intellectual's gloomy mind in the conflict of feeling and reason; founded an aesthetic style in selecting tone, harmonizing rhythm and organizing plots with emotion as the center; at the same time, embodying nihilistic religious implication. |
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| Keywords: | Lu Yin novels conflict in feeling and reason poetic words sentimental structure religious implication |
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