| 荀子无美而乐与虚静的美学思想辨析 |
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| 引用本文： | 马正应.荀子无美而乐与虚静的美学思想辨析[J].贵阳师范高等专科学校学报,2009,4(4):92-95. |
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| 作者姓名： | 马正应 |
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| 作者单位： | 贵州大学人文学院,贵州,贵阳,550025 |
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| 摘 要： | 荀子所谓“无万物之美而可以养乐”并不是指没有审美对象，其审美对象是伦理道德之“礼”。在其观照方面，荀子提出了“虚壹而静”的审美心境，其中的“虚”与“藏”、“壹”与“两”、“静”与“动”是辩证的关系，并由此进入“大清明”境界。“元万物之美而可以养乐”是一种精神态度，“大清明”是一种境界，而“虚壹而静”是持有这种态度、达到这种境界的手段。
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| 关 键 词： | 荀子 养乐 虚壹而静 |
An Analysis of Xun Kuang's Aesthetics of Pleasure without External Beauty Source and Void and Quietness |
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| MA Zheng-ying.An Analysis of Xun Kuang's Aesthetics of Pleasure without External Beauty Source and Void and Quietness[J].Journal of GuiYang Teacher's College(Social Science),2009,4(4):92-95. |
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| Authors: | MA Zheng-ying |
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| Institution: | MA Zheng-ying (College of Humanities, Guizhou University, Guiyang Guizhou 550025, China) |
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| Abstract: | That ＂pleasure can be nurtured without external beauty source＂ by Xun Kuang doesn＇t mean that there is no aesthetic object; its aesthetic object is ethical ＂courtesy＂. Referring to its viewpoint, Xun put forward ＂being void and concentrated and becoming quietness＂, in which it＇s dialectic between ＂void＂ and ＂storing＂, ＂ concentrated＂ and ＂ more＂, ＂static＂ and ＂dynamic＂, and thereby entering into a realm of ＂grand clearness and brightness＂. That ＂ pleas- ure can be nurtured without external beauty source＂ is a spiritual attitude, ＂grand clearness and brightness＂ is a realm and ＂being void and concentrated and becoming quietness＂ is a means for this realm. |
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| Keywords: | Xun Kuang nurturing pleasure void and quiet |
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