| 对绘画透视学的再认识 |
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| 引用本文： | 艾尔肯·艾买提.对绘画透视学的再认识[J].新疆教育学院学报,2005,21(3):129-131. |
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| 作者姓名： | 艾尔肯·艾买提 |
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| 作者单位： | 新疆教育学院艺术分院,新疆,乌鲁木齐,830043 |
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| 摘 要： | 透视是客观存在的视觉现象．是几代画家对于视觉空间不断探索的产物，我们研究透视的目的是为了用科学的思维方式去认识事物和分析事物。根据光学和数学的原则，用推理性的观察方式去解释视觉艺术。通过艺术表现使自然物象在二维的画面上造成三维的空间氛围来，使绘画从自然的真实上升为艺术的真实。
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| 关 键 词： | 形体透视 实空间 虚空间 焦点透视 散点透视 视觉现象 空气透视 |
| 文章编号： | 1008-3588(2005)03-0129-03 |
| 收稿时间： | 05 4 2005 12:00AM |
| 修稿时间： | 2005年5月4日 |
The Recongition of Painting Perspective |
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| Aierken Aimaiti.The Recongition of Painting Perspective[J].Journal of Xinjiang Education Institute,2005,21(3):129-131. |
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| Authors: | Aierken Aimaiti |
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| Institution: | Arts School, Xinjiang Education Institute, Urumqi 830043, Xinjiang |
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| Abstract: | Perspective is a visual phenomenon of objective reality and a product which the painters of elder generations unceasingly probed into visual space. We carry out a research into perspective for the sake of cognizing and analyzing things in accordance with the scientific mode of thinking. On the principle of optics and mathematics, visual arts are explained with observational method of inference. An atmosphere of three-dimentional space is created on the two--dimentional picture of natural images by artistry so as to make paintings go up from natural reality to artistic reality. |
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| Keywords: | figure perspective real space imaginary space focus perspective scatter perstective visual phenomenon air perspective |
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