| 储光羲山水田园诗新论 |
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| 引用本文： | 李金坤.储光羲山水田园诗新论[J].钦州学院学报,2000(3). |
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| 作者姓名： | 李金坤 |
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| 作者单位： | 镇江师范高等专科学校中文系!江苏镇江212003 |
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| 摘 要： | 储光羲是盛唐著名的山水田园诗人之一。其山水诗虽不能与王、孟比肩 ,却具“清而适”的艺术审美特征 ;尤其是他的田园诗 ,既多且好 ,深得陶渊明“真朴”之精髓。在中国田园诗史上第一次描写了丰富多彩的农民形象、农耕事象与民俗村风 ,扩大了田园诗的表现范围 ,丰富了田园诗的美学意蕴。同时 ,诗人以田园生活抒情言志 ,开创了比兴体的田园诗格。储光羲与王维、孟浩然在盛唐山水田园诗派中的地位当是鼎足而三的
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| 关 键 词： | 储光羲 山水田园诗 审美 地位 |
Reassessment of Chu Guangxi's Landscape and Pastoral Poems |
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| Abstract: | Chu Guangxi is one of the well known landscape and pastoral poets of Tang Dynasty.Like Tao Yuanming,his works is in a simple,peaceful and light style.In the history of Chinese idylls,he was the first one to give a vivid picture of farmers,farmings and rural customs.With his special contribution to the development of idylls in content,rhetoric and aesthetic meaning,Chu should be regarded as important as Wang Wei and Meng Haoran in the pastoral school of his time. |
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| Keywords: | Chu Guangxi idylls aesthetic status |
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