| 论卢禹舜作品中的“情境”表现与“图式”探索 |
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| 引用本文： | 张继华.论卢禹舜作品中的“情境”表现与“图式”探索[J].济宁师范专科学校学报,2009,30(4):90-92. |
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| 作者姓名： | 张继华 |
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| 作者单位： | 济宁学院美术系,山东,曲阜,273155 |
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| 摘 要： | “境界说”是中国古典美学的核心范畴。境界分为物境、意境、情境三种。在山水画发展进程中，不同的历史时期，对三种境界的偏重不同，从重物境一意境一情境是一个动态流程。当今社会是重“情境”的时期，当代山水画家为表现“情境”在“图式”方面做出了很多有意义的尝试，并取得了一些新的突破，扩展了山水画的审美领域，彰显出画家自我情境及绘画风格。
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| 关 键 词： | 境界 物境 意境 情境 图式 |
The "Passion Conception" and "Schemata" of LU Yushun's Works |
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| ZHANG Jihua.The "Passion Conception" and "Schemata" of LU Yushun's Works[J].Journal of Jining Teachers College,2009,30(4):90-92. |
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| Authors: | ZHANG Jihua |
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| Institution: | Fine Arts Department Jining University;Qufu 273155;China |
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| Abstract: | "Realm theory" is the core of China classic aesthetics.Realm can be divided into content conception,artistic conception and passion conception.During the development of landscape,the favoritism to the above three conception are not same in different period.Artists advocated from content conception to artistic conception,then to passion conception.Nowadays "passion conception" is upheld and landscape artists made significant attempts on "schemata" in order to show "passion conception".They achieved some brea... |
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| Keywords: | Realm content conception artistic conception passion conception schemata |
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