| 从汉代瓦当“四神”图形解读秦汉的造型艺术 |
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| 引用本文： | 赵志生.从汉代瓦当“四神”图形解读秦汉的造型艺术[J].内蒙古大学学报(人文社会科学版),2004,36(4):93-97. |
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| 作者姓名： | 赵志生 |
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| 作者单位： | 内蒙古大学艺术学院,内蒙古呼和浩特010010 |
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| 摘 要： | 汉瓦当“四神”图形在秦汉时期社会生活中广泛应用,它的造型艺术可以使我们清楚地看到秦汉时代造型艺术风格特点：创造性地利用“适合造型”;以“炉火纯青”的造型艺术语言创造了“经典”的“四神”形象;运用夸张和变形的造型手法来“抒情写意”;对传统神灵形象的升华和再创造。它表现出一种时代和民族的生机勃发的艺术精神和本质。
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| 关 键 词： | 秦汉 瓦当 “四神”图形 造型艺术 |
| 文章编号： | 1000-5218(2004)04-0093-05 |
| 修稿时间： | 2003年8月25日 |
Decipher the Plastic Arts of Qin and Han Dynasties as Judging by "Four Deities"Figures Carved on Eaves Tiles |
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| ZHAO Zhi-sheng.Decipher the Plastic Arts of Qin and Han Dynasties as Judging by "Four Deities"Figures Carved on Eaves Tiles[J].Journal of Inner Mongolia University(Humanities & Social Sciences),2004,36(4):93-97. |
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| Authors: | ZHAO Zhi-sheng |
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| Abstract: | The Han dynasty tiles with a circular facade at one end used with the figures of "the Four Gods" were widely used in the social life of Qin-Han period.Their plastic arts make us see clearly the styles and characteristics of the plastic arts in Qin-Han period:using creatively the "suitable sculpts";creating the classic "the Four Gods" image with professional proficiency;expressing motions by exaggeration and transfiguration; recreating and sublimating the traditional images of gods.They reflect the artistic spirit and feature of the time and the nation. |
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| Keywords: | Qin-Han period the tiles with a circular facade at one end "the Four Gods" patterns plastic arts |
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