| 墨家思想视域下元代水浒戏研究 |
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| 引用本文： | 朱仰东.墨家思想视域下元代水浒戏研究[J].临沂师范学院学报,2011(4):59-63. |
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| 作者姓名： | 朱仰东 |
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| 作者单位： | [1]山东师范大学文学院,济南山东250014;[2]伊犁师范学院人文学院,新疆伊宁835000 |
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| 摘 要： | 墨家思想是战国时代代表小生产者的思想，贵义利他，具有献身精神，为侠之起源。元代水浒戏由于时代与作者原因，梁山英雄带有墨家思想元素，富有墨侠精神；明代水浒戏则不然，梁山英雄被塑造成了忠臣义士，儒家观念浓厚，与元代水浒戏相比，侠义性质大变。
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| 关 键 词： | 墨家思想 元代水浒戏 明代水浒戏 侠义性质 |
Mohism Perspective of Water Margin Dramas |
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| ZHU Yang-dong.Mohism Perspective of Water Margin Dramas[J].Journal of Linyi Teachers' College,2011(4):59-63. |
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| Authors: | ZHU Yang-dong |
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| Institution: | ZHU Yang-dong1,2(1.Shandong Normal University,Jinan Shandong 250014,China,2.Yili Normal University,Yining Xinjiang 835000,China) |
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| Abstract: | The Warring States Period Mohism is the idea of smaller producers,your altruistic meaning,dedicated,as the Man of origin.Water Margin Dramas of the times and reasons Mohism Liangshan hero with elements of the spirit of full ink Xia;Ming Dynasty drama Water Margin is not the case,became a loyal Liangshan hero is portrayed as righteous,the Confucian concept of a strong,compared with the Water Margin Dramas,chivalrous nature of great changes. |
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| Keywords: | mohism the water margin dramas of the yuan dynasty the water margin dramas of the ming dynasty chivalrous nature |
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