| 讴歌"自然"鞭挞"文明"--从《巴黎圣母院》的对比描写看雨果的历史观 |
| |
| 引用本文： | 夏腊初.讴歌"自然"鞭挞"文明"--从《巴黎圣母院》的对比描写看雨果的历史观[J].黄冈师范学院学报,2001,21(6):39-41. |
| |
| 作者姓名： | 夏腊初 |
| |
| 作者单位： | 黄冈师范学院,中文系,湖北,黄冈,438000 |
| |
| 摘 要： | 对比是浪漫主义学的艺术原则之一。《巴黎圣母院》中大量运用对比描写手法,不仅源于雨果自己所阐明的浪漫主义美学原则,还根植于许多启蒙主义、浪漫主义作家所奉行的自然－明二元对立的社会历史观。
|
| 关 键 词： | 法国文学 雨果 《巴黎圣母院》 浪漫主义 对比描写 历史观 |
| 文章编号： | 1003-8078(2001)06-0039-03 |
| 修稿时间： | 2001年3月26日 |
Eulogize "Nature", Castigate "Civilization"--A look at Hogo's historic view from Notre-Dame De Paris |
| |
| XIA La-chu.Eulogize "Nature", Castigate "Civilization"--A look at Hogo's historic view from Notre-Dame De Paris[J].Journal of Huanggang Normal University,2001,21(6):39-41. |
| |
| Authors: | XIA La-chu |
| |
| Abstract: | Contrast is the artistic principle for the romantic literature. In my view,contrasts in "Note-Dame De Paris" are not only based on the aesthetic principle that expounded by Hugo himself, but also takes its root in the historic view held by many enlightenists and romanticists, which is called the opposite dualism of nature and civilization. |
| |
| Keywords: | |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
