| 中国流行音乐民族化探析 |
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| 引用本文： | 郭超.中国流行音乐民族化探析[J].三明高等专科学校学报,2013(5):87-90. |
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| 作者姓名： | 郭超 |
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| 作者单位： | 福建江夏学院人文学院,福建福州350108 |
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| 摘 要： | 中国流行音乐历经“西风东渐”的影响以及商业化运作之后，逐渐开始探索建构自身的音乐体系，积极争取与主流文化相融入。在这一进程中，最为突出的是“中国风”的兴起。“中国风”流行音乐全方位融入了民族元素，主要体现在歌词文本中对古代诗歌等传统语言文化的引入、旋律上对民族调式的运用、演唱中对地方民歌与戏曲的借鉴以及配器上对民族乐器的广泛运用这四个方面。深入分析“中国风”流行歌曲的这些创作特征。有助于更为直观地理解和把握新时期民族化这一中国流行音乐发展走势。
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| 关 键 词： | 流行音乐 民族调式 民族乐器 |
An Analysis of the Nationalization of Chinese Pop Music |
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| GUO Chao.An Analysis of the Nationalization of Chinese Pop Music[J].Journal of Sanming College,2013(5):87-90. |
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| Authors: | GUO Chao |
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| Institution: | GUO Chao (College of Humanity, Fujian Jianxia university, .Fuzhou 350108, China) |
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| Abstract: | Aiter Chinese pop music has experienced the influence of ＂East meets west＂ and the commercial operation, people gradually begin to explore the construction of their own music system, and strive to make it mix together with the mainstream culture. In this process, ＂Chinese music style＂ is springing up, and blend in the national music style with some popular elements, which is mainly reflected in four aspects, that is, the lyrics to the introduction of the traditional language and culture of ancient Chinese poetry, national mode, local folk songs and opera being referred to the singing melody, and the national musical insmunents being utilizing widely. The thorough analysis for the creation characteristics of popular songs with ＂Chinese style＂ will be beneficial to make one more intuitive to grasp the development trend of Chinese pop music nationalization in new period. |
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| Keywords: | pop music national mode national musical instruments |
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