| 《文心雕龙·原道》篇锥指 |
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| 引用本文： | 薛学财.《文心雕龙·原道》篇锥指[J].集宁师专学报,2010,32(3):29-34. |
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| 作者姓名： | 薛学财 |
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| 作者单位： | 内蒙古师范大学文学院,内蒙古呼和浩特010022 |
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| 摘 要： | 文章由辨正学界对《原道》篇中＂文＂、＂道＂、＂德＂、＂自然＂等基本概念的不同意见入手,探索《原道》篇的精义。作者认为,刘勰在《原道》篇中所说的＂文＂是最广泛意义上的形象或符号组织,这比以往文论中本来就属于广义文学观的＂文＂的观念外延更大。但由于刘勰将＂文＂与＂道＂结合起来思考,认为＂文＂是＂道＂所派生出来的万物的属性（＂德＂）,实际上便是从形而上的意义上思考文学艺术的本体,体现出深刻的反思意识。而刘勰立足于＂文＂、＂道＂、＂德＂三个基本概念的论述逻辑更是在中国文论史上首次尝试文学理论体系的建构,集中体现了中国文论步入了自觉时代。
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| 关 键 词： | 刘勰 文心雕龙 原道 |
A New Critique of Tracing The Tao in The Literary Mind and the Carving of dragons |
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| XUE Xue-cai.A New Critique of Tracing The Tao in The Literary Mind and the Carving of dragons[J].Journal of Jining Teachers College,2010,32(3):29-34. |
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| Authors: | XUE Xue-cai |
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| Institution: | XUE Xue-cai(College of Liberal arts,Inner Mongolia Normal University,Inner Mongolia Hohhot 010022) |
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| Abstract: | This paper will criticize the different views on Wen（configurations /culture/ literature）,Tao,Virtue,Nature so as to explore the essence of Tracing The Tao.In his view,the Wen in Tracing The Tao refers to the most generalized image or symbol.The extension of Wen in Tracing The Tao is larger than general literary theory.However,LIU Xie pointed that Wen was derivation of The Tao that it was attribute of all because LIU Xie thought Wen in combination with Tao.In fact,LIU Xie thought metaphysically being of literary art,which reflected profound reflective consciousness.In history of Chinese literary theory,Liu＇s discussion standing on Wen,Tao,Virtue is the first time to try constructing literary theoretical system.The attempt reflected Chinese literature theory stepping into conscious time. |
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| Keywords: | LIU Xie The Literary Mind and the Carving of Dragons Tracing The Tao |
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