| 从《体性》篇看《文心雕龙》的思想来源 |
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| 引用本文： | 姚素华.从《体性》篇看《文心雕龙》的思想来源[J].齐齐哈尔师范高等专科学校学报,2011(1):27-28. |
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| 作者姓名： | 姚素华 |
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| 作者单位： | 河南大学,河南,开封,475001 |
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| 摘 要： | 刘勰生活的时代南北朝是我国政治上动荡、思想上融和的特殊时期。在这样的历史背景下刘勰写出了《文心雕龙》。从其《体性》篇中可以看出,刘勰非常注重风格与作家个性的关系。他一方面接受了儒家雅正的传统,将文辞、质实结合起来,重视初学者学习的方向与道路问题。另一方面也强调道家重艺术审美情感的思想,认为抒发真情实感最能动人。同时,佛教环境的长期熏陶也对文章的写作产生了极其深远的影响。
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| 关 键 词： | 体性 儒家 道家 佛教 |
On the Thought Source of Carving a Dragon at the Core of Literature in the Body Part |
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| YAO Su-hua.On the Thought Source of Carving a Dragon at the Core of Literature in the Body Part[J].Journal of Qiqihar Junior Teachers‘ College,2011(1):27-28. |
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| Authors: | YAO Su-hua |
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| Institution: | YAO Su-hua(Henan University,Kaifeng,Henan,475001,China) |
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| Abstract: | The Southern and Northern Dynasties is the age of political chaos and integrating thoughts.In this historical background,Liuxie wrote the Carving a Dragon at the Core of Literature.From the body part of the book it can be seen that author pay morn attention to the relationship between style and personality.He inherited the Confucian tradition of being standard and combined elegant with substantiation,put more emphasis on learning method and direction of beginners.On the other hand,he paid more attention to ... |
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| Keywords: | body Confucianism Taoist Buddhist |
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