| 超越与倾斜——成仿吾文学批评论 |
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| 引用本文： | 李志孝.超越与倾斜——成仿吾文学批评论[J].天水师范学院学报,2002,22(1):20-23. |
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| 作者姓名： | 李志孝 |
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| 作者单位： | 天水师范学院,中文系,甘肃,天水,741001 |
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| 摘 要： | 成仿吾是现代有影响的文学批评家,与他艺术派的立场相一致,他主张文学是“表现”而非“再现”,提出文学批评应有“同情”与“超越”。从具体的批评实践看,他的“同情”显然更在他的同志一边,而他的“超越”一方面凸显他的独特,但又时显偏激与片面,造成某种倾斜。这一切又与他峻急的性格和“超越”的意识密切相关。
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| 关 键 词： | 成仿吾 文学批评 表现说 同情 超越 倾斜 |
| 文章编号： | 1371-1351(2002)01-0020-04 |
| 修稿时间： | 2001年11月11 |
Transcendence and InclinationOn CHENG Fang-wus Literature Critic |
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| LI Zhi-xiao.Transcendence and InclinationOn CHENG Fang-wus Literature Critic[J].Journal of Tianshui Normal University,2002,22(1):20-23. |
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| Authors: | LI Zhi-xiao |
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| Abstract: | CHENG Fang-wu is an influential modern literature critic whose idea of literature is expression not re-expression that is in conformity with his standpoint of arts. He puts forth that literature critique should have sympathy and transcendence . From his critic practice one can see that his sympathy is on the sides of his comrades while his transcendence reflects his uniqueness on the one hand and his extreme and one-sidedness on the on the other hand, thus causing inclination to a certain degree. All this has close relations with his impetuous character and transcendence consciousness. |
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| Keywords: | CHENG Fang-wu literature critic expression theory sympathy transcendence inclination |
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