| 反形式·反英雄·反传统——略论西方荒诞派艺术的审美趣向 |
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| 引用本文： | 孙秀昌.反形式·反英雄·反传统——略论西方荒诞派艺术的审美趣向[J].河北师范大学学报(哲学社会科学版),2011,34(5). |
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| 作者姓名： | 孙秀昌 |
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| 作者单位： | 河北师范大学文学院,河北石家庄,050024 |
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| 摘 要： | 西方荒诞派艺术在审美趣向上表现出三个鲜明的特点,此即反形式、反英雄、反传统。所谓反形式,意指荒诞派艺术以反叛古典形式的姿态,在艺术自身内部进行了一场形式革命;所谓反英雄,意指崇高意味上的英雄在荒诞派艺术中已经缺席,取而代之的则是荒诞意味上的英雄;所谓反传统,则意指荒诞派艺术通过相对主义与虚无主义与自身的传统做了一种诀别。
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| 关 键 词： | 西方荒诞派艺术 审美趣向 反形式 反英雄 反传统 |
Antimorph,antihero and countertradition as aestheticism in the western absurd art |
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| SUN Xiu-chang.Antimorph,antihero and countertradition as aestheticism in the western absurd art[J].Journal of Hebei Normal University(Philosophy and Social Science),2011,34(5). |
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| Authors: | SUN Xiu-chang |
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| Institution: | SUN Xiu-chang(School of Chinese,Hebei Normal University,Shijiazhuang,Hebei 050024,China) |
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| Abstract: | The western absurd art reveals three spectacular aesthetic features,namely,antimorph,antihero,and countertradition.Antimorph refers to the rebel of the classic form,or an internal revolution in form.Antihero reflects the lack of real heros.And countertradition speaks for the farewell to the tradition by relativism and nihilism in the absurd art. |
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| Keywords: | western absurd art aestheticism antimorph antihero countertradtion |
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