| 肖邦《降A大调波罗奈兹》中的标题性 |
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| 引用本文： | 张艺博.肖邦《降A大调波罗奈兹》中的标题性[J].科教文汇,2012(28):152-153. |
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| 作者姓名： | 张艺博 |
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| 作者单位： | 西北师范大学音乐学院 甘肃,兰州,730070 |
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| 摘 要： | 肖邦是浪漫主义时期波兰钢琴家、作曲家。在他的音乐生涯中．几乎创作了各类体裁的钢琴作品．在这些作品中，从表面上看，似乎没有任何标题音乐的迹象．但如果深入到他音乐内容的深层．就会发现大量的音乐作品都存在其潜在的标题性。《降A大调波罗奈兹》（0P．53）就属于此类作品。本文通过对肖邦的钢琴作品《降A大调波罗奈兹》（oP．53）的分析，来论述此作品中所具有的标题性。
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| 关 键 词： | 肖邦 降A大调波罗奈兹 标题性 |
On the Headline in Chopin's "Polonaise in A Flat Major" |
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| Authors: | Zhang Yibo |
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| Institution: | Zhang Yibo (College of Music,Northwest Normal University,730070,Lanzhou,Gansu,China) |
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| Abstract: | Chopin was a Polish pianist and composer at the Romantic period, in his music career, he almost created all kinds of genres of piano works. On the surface, it seems that there is no sign of any title music in these works, but if deep into his music, you will find potential title in most of his works. ＂Polonaise in A flat major＂ （op.53） belongs to such works. Through analyzing it, this paper expounds the headline of this works. |
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| Keywords: | Chopin Polonaise in A flat major headline |
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