| 论音乐中各乐音阴阳属性 |
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| 引用本文： | 秦庆昆.论音乐中各乐音阴阳属性[J].张家口职业技术学院学报,2001,14(4):45-47. |
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| 作者姓名： | 秦庆昆 |
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| 作者单位： | 河北大学艺术学院研究生班,河北,保定,071000 |
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| 摘 要： | 在谈到音乐的调试、调性、音程及和弦等要素时，人们很少与各音的阴阳属性结合起来。事实上各音的属性不仅存在，而且对音程、和弦、调试等要素在音乐实践中的运用影响巨大。本主要从各音的阴阳属性及其与小三度的音程关系、和弦的性能等方面谈谈体会，希望能对音乐教育工作的多层次思维产生一定的启发作用。
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| 关 键 词： | 音乐 各乐音 阳性音 阴性音 调性能 乐音属性 |
| 修稿时间： | 2001年7月20日 |
On the Masculine and the Feminine Natures of Musical Notes |
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| QIN Qing-kun.On the Masculine and the Feminine Natures of Musical Notes[J].Journal of Zhangjiakou Vocational College of Technology,2001,14(4):45-47. |
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| Authors: | QIN Qing-kun |
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| Abstract: | People seldom think of the masculine or the feminine of musical note swhen they mention the mode,the attribute of the mode,interval or the chord. In fact,the masculine and the feminine of musical notes not only exit but take great effect in the musical practice.This essay discusses mainly on the masculine and feminine attribute of musical notes, the relationship between these notes and minor third interval as well as chord property. The author expects that the essay would inspire music teachers to think in a stereoscope way. |
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| Keywords: | masculine note feminine note attribute of the mode |
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