| 由隽逸入磅礴——敦煌之行在“大千荷”发展过程中的重要作用 |
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| 引用本文： | 段汶利.由隽逸入磅礴——敦煌之行在“大千荷”发展过程中的重要作用[J].内江师范学院学报,2012,27(11):31-34. |
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| 作者姓名： | 段汶利 |
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| 作者单位： | 内江师范学院张大千美术学院,四川内江,641100 |
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| 基金项目： | 四川省教育厅张大干研究中心项目 |
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| 摘 要： | 1941年,张大千怀着对敦煌的向往和对艺术的执着,克服重重困难,在敦煌进行了为石窟编号、收集整理文字资料、临摹壁画等一系列艺术活动,在画艺日趋成熟的同时较全面地了解了中国古代文化,理清了中华民族艺术的发展脉络,从技法和精神层面为"大千荷"赋予了活力与张力。纵观张大千的艺术历程,为期近三年的敦煌之行是他在中年时期画风由隽逸走向圆融磅礴的主要动因。"大千荷"的技法由此开始日臻完善,艺术风貌亦得到整体升华。
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| 关 键 词： | “大千荷” 敦煌壁画 绘画技法 艺术精神 |
From Elegance to Grandeur: Importance of Da-qian's Journey to Dunhuang in His Lotus Painting |
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| DUAN Wen-li.From Elegance to Grandeur: Importance of Da-qian's Journey to Dunhuang in His Lotus Painting[J].Journal of Neijiang Teachers College,2012,27(11):31-34. |
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| Authors: | DUAN Wen-li |
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| Institution: | DUAN Wen-li (School of ZHANG Da-qian Fine Arts, Neijiang Normal University, Neijiang, Sichuan, 641100, China) |
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| Abstract: | In 1941, with yearning for Dunhuang and persistence in art, ZHANG Da-qian overcame various difficulties and carried out activities in Dunhuan, as numbering rock caves, collecting and sorting out text data, and copying fresco. While his painting skills tended to he mature and he got close knowledge of ancient Chinese culture, he made clear the line of Chinese art, which endowed the vitality to his lotus painting in both technique and spirit. From ZHANG＇s art experience, we can find his journey to Dunhuan for nearly three years was the main drive for his painting＇s change from elegance in his middle age to grandeur. And Da-qian＇s technique of lotus painting began to be perfect and his art style was hence promoted, |
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| Keywords: | Da-qian's lotus painting fresco of Dunhuang painting technique art spirit |
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