| 宗炳的“卧游”及其山水画论 |
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| 引用本文： | 张映梦.宗炳的“卧游”及其山水画论[J].集宁师专学报,2009,31(2):35-39. |
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| 作者姓名： | 张映梦 |
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| 作者单位： | 内蒙古大学艺术学院,内蒙古,呼和浩特,010021 |
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| 摘 要： | ＂卧游＂,表明宗炳要以欣赏山水画的艺术美代替欣赏自然山水,因为在山水美的欣赏中,可以实行对＂道＂的观照,＂卧游＂同样能满足人们对山水的渴望。宗炳既是中国山水画的实践者,又同时是中国山水画理论的建设者,他的《画山水序》是中国绘画史上第一篇山水画论。他把孔子的＂仁者乐山＂与道家的＂游心物外＂融为一体,作为欣赏自然美与创作山水画的指导思想。
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| 关 键 词： | 宗炳 卧游 山水画论 |
Zong Bing's "Mind Travel" and His Theory on Landscape Painting |
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| ZHANG Ying-meng.Zong Bing's "Mind Travel" and His Theory on Landscape Painting[J].Journal of Jining Teachers College,2009,31(2):35-39. |
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| Authors: | ZHANG Ying-meng |
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| Institution: | Arts College of Inner Mongolia University;Inner Mongolia Hohhot 010021 |
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| Abstract: | ＂Mind Travel＂indicated that Zong Bing would appreciate the artistic beauty of the landscape paintings to replace the natural landscapes,because the appreciation to landscape could implement the concern to ＂Taoism＂,and could satisfy people’s desire to the natural landscapes as well.Zong Bing was not only a practitioner of the Chinese landscape painting,but also a constructor of its theory with his ＂Foreword on landscape painting＂,the first painting theory on landscape in the history of Chinese painting. He integrated the Confucius＇ contention that ＂the benevolent get enlightment from the appreciation of mountains＂ and Taoist＇s ＂mind beyond material things during tour＂, which was the guiding ideology of enjoying the natural beauty and creating landscape paintings. |
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| Keywords: | Zong Bing mind travel the theory on landscape painting |
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