| 实践美学视野中的“滑稽”与“幽默” |
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| 引用本文： | 王天保.实践美学视野中的“滑稽”与“幽默”[J].华中师范大学学报(人文社会科学版),2002,41(4):121-126. |
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| 作者姓名： | 王天保 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 摘 要： | 中国当代美学话语中,“喜剧性”,“滑稽”,“幽默”与西方差学方中的“comic”,“humour”并非是对等的,西方差学传统中多把“幽默”作为“comic”（喜剧或乾滑稽）之一种,而在实践美学的视野下,“滑稽”和“幽默”的内涵和界限得到比较清楚的厘定,并且被纳入实践美学的范畴序列之中。“幽默”所表现的是一种合规律性和合目的性,是人的实践活动的自由,而滑稽表现的则是一种不合规律性和夸大的目的性,是人的实践活动是不自由。
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| 关 键 词： | 实践美学 幽默 滑稽 规律性 目的性 自由 实践 |
| 文章编号： | 1000-2456(2002)04-0121-06 |
| 修稿时间： | 2002年3月26日 |
"The Comic" and "Humour" in the Sight of Practical Aesthetics |
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| WANG Tian,bao."The Comic" and "Humour" in the Sight of Practical Aesthetics[J].Journal of Central China Normal University(Humanities and Social Sciences),2002,41(4):121-126. |
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| Authors: | WANG Tian bao |
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| Abstract: | In modern chinese aesthetic course, "comedy nature", "the comic" and "humour" are not equal to "the comic" and "humour" in western aesthetics.In western aesthetic history, "humour" is mostly seen as a type of "the comic".However, in the sight of practical aesthetics, "the comic" and "humour" are defined separately and clearly, and become parts of the categories line of practical aesthetics. "humour" represents conformity with regularity and ends, results from the freedom of human practice. "the comic" represents unconformity with regularity and normal ends, results from the unfreedom of human practice. |
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| Keywords: | humour the comic regularity character ends character freedom practice |
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