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徘徊于纯粹论与工具论之间——郭沫若早期文艺思想探因
引用本文:华金余.徘徊于纯粹论与工具论之间——郭沫若早期文艺思想探因[J].济宁师范专科学校学报,2009,30(5):20-24,35.
作者姓名:华金余
作者单位:华东师范大学中文系;
摘    要:郭沫若早期文艺思想的一个重要特征是徘徊于纯粹论与工具论之间,其原因主要是:首先、对文艺纯粹论的学理依据缺乏深入的了解,更由于中国文学史没有文学自主的现实经验,使得他面对西方文学自主论的论说时,会觉得非常有道理,回到中国的现实时,又会觉得文学工具论更合时宜;其次、艺术家与革命家的双重身份;第三、争夺文坛话语权的实用主义考虑。

关 键 词:郭沫若  文艺思想  探因

Fluctuating between Aestheticism and Utilitarianism:To Explore the Reasons for Guo Mo-ruo's early Literary Thoughts
HUA Jinyu.Fluctuating between Aestheticism and Utilitarianism:To Explore the Reasons for Guo Mo-ruo's early Literary Thoughts[J].Journal of Jining Teachers College,2009,30(5):20-24,35.
Authors:HUA Jinyu
Institution:Department of Chinese;East China Normal University;Shanghai 200241;China
Abstract:The key character of Guo Mo-ruo's early literary arts thoughts is that it paces back and forth in Aestheticism and Utilitarianism.This issue mainly analyzes this phenomenon by three aspects: Lacking of in-depth understanding of the basis of pure theory of literature,he would find aestheticism was very reasonable when facing western literature independent of discourse,but feel utilitarianism to be more appropriate when facing back to Chinese realities;Artists and revolutionaries of the dual identity and comp...
Keywords:Guo Mo-ruo  literary thoughts  explore the reasons for  
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