| 琴弦悲歌话《梁祝》 |
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| 引用本文： | 赵大刚.琴弦悲歌话《梁祝》[J].怀化学院学报,2009,28(6). |
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| 作者姓名： | 赵大刚 |
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| 作者单位： | 西华师范大学音乐学院,四川,南充,637002 |
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| 摘 要： | 小提琴协奏曲《梁祝》可称得上是20世纪华人经典音乐作品中的精品,在世界音乐舞台上也享有极高的声誉。长期以来,人们总喜欢把其说成是中国的《罗密欧与朱丽叶》。其实,《梁祝》的成功有着诸多方面的原因,中、西方音乐有着各自不同的个性、文化底蕴和成就模式,在价值评判中不可能用同一的标准去衡量。中国音乐有自己独到的个性,它和其它国家或民族的音乐一样,都是世界灿烂音乐文化的不可缺少的重要组成部分,都同样为世界音乐文化的发展与繁荣做出了巨大的贡献。
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| 关 键 词： | 《梁祝》 多元文化 比较音乐 文化并置 |
String Elegy speech "Liang Zhu" |
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| ZHAO Da-gang.String Elegy speech "Liang Zhu"[J].Journal of Huaihua University,2009,28(6). |
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| Authors: | ZHAO Da-gang |
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| Abstract: | The violin concerto "Liang Zhu" is a classical music work of Chinese people in the 20th century and also enjoys high prestige in the world music stage.The people always like to take it as China's "Romeo and Juliet".Actually,the success of "Liang Zhu" has many reasons:Chinese and western music has different individuality,the cultural background and the achievement pattern,which make it impossible to measure with the identical standards.The Chinese music has its original individuality,which is the same with other national music in nature.As inseparable parts of world music,together they have made the tremendous contribution for the development and the prosperity of the world music. |
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| Keywords: | "Liang Zhu" multicultural compared with music cultural juxtaposition |
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