| 绘画形式的另一种看法 |
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| 引用本文： | 郑天君.绘画形式的另一种看法[J].黄山学院学报,2004,6(5):92-93. |
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| 作者姓名： | 郑天君 |
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| 作者单位： | 黄山市屯溪文化馆,安徽黄山,245021 |
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| 摘 要： | 本文论述了关于绘画形式(即绘画语言)的本在意义,对于长期以来有关“内容“和“形式“的僵化定义产生质疑,进而引发出关于内容离不开形式、形式本身亦包含内容的新思考.在绘画艺术进入多元化的时代里,本文主张“内容“和“形式“应该是绘画艺术的统一体,而不应该因循惯性概念,把“内容“和“形式“生硬地隔离,以至于使绘画语言日渐苍白、使审美视角日益狭隘.
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| 关 键 词： | 内容 形式 造型 色彩 构图 题材 情节 角色 情感形式 潜意识形式 有意味的形式 |
| 文章编号： | 1672-447X(2004)05-0092-02 |
| 修稿时间： | 2004年8月28日 |
Another viewpoint of the painting form |
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| Zheng Tianjun.Another viewpoint of the painting form[J].Journal of Huangshan University,2004,6(5):92-93. |
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| Authors: | Zheng Tianjun |
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| Institution: | Zheng Tianjun |
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| Abstract: | This text discussed the concerning painting form ( namely painting language) of this care the righteousness, causing for long time relevant" contents" with" form" come to a deadlock definition creation query, very much to cans not get away from the form, form oneself to also include the contents new to consider concerning the contents.In painting art enter diversified ages, this text lays claim to the " contents" to should be a painting art to unify with the " form", but shouldn't should follow routine the inertial concept, making" contents" with" form" not smoothly insulation, with as for the painting language is gradually pale and make appreciate beauty the angle of view increasingly . |
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| Keywords: | The contents form shape color composition topic details role emotion form subconscious form has intention to the form of the flavor |
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