| 琳达·哈琴后现代诗学初探 |
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| 引用本文： | 林元富.琳达·哈琴后现代诗学初探[J].福建师范大学学报(哲学社会科学版),2005(6):60-67. |
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| 作者姓名： | 林元富 |
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| 作者单位： | 福建师范大学外国语学院,福建,福州,350007 |
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| 摘 要： | 本文对琳达·哈琴的后现代"悖谬"诗学的主要特征和理论缘由进行简要的梳理.哈琴对后现代小说理论的重大贡献在于:其一,她提出了编史元小说的概念,对纯粹"自恋式"的元小说和以一种悖谬的方式关注历史和社会的后现代小说进行了区分;其二,她对戏仿和互文的"双重赋码的政治性"提出了独到的见解.尽管人们对哈琴诗学本身尚有不少争议,但此两者纠正了不少论者对后现代小说纯属"文字游戏"、"没有意义"和"价值中立"等片面看法,对于全面认识后现代艺术,特别是后现代小说,仍有重大的价值.
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| 关 键 词： | 琳达·哈琴 后现代小说 诗学 戏仿 元小说 |
| 文章编号： | 1000-5285(2005)06-0060-08 |
| 修稿时间： | 2005年3月16日 |
On Linda Hutcheon's Postmodern Poetics |
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| LIN Yuan-fu.On Linda Hutcheon''''s Postmodern Poetics[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2005(6):60-67. |
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| Authors: | LIN Yuan-fu |
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| Abstract: | This paper is an interpretation and analysis of Linda Hutcheon's postmodern poetics.Hutcheon contributed to the theory of postmodern fiction in two areas.For one thing,she identifies the brand of postmodern novels called "Historiographic metafiction",thereby distinguishing novels that are narcissistically metafictional from those that are seemingly metafictional and yet paradoxically concern themselves with the issues of history and society.For another,Hutcheon offers deep insight into the nature and the "double coded politics"of postmodern parodies.While debates remain over Hutcheon's poetics proper,her concept of histografic metafiction and of parody strikes at the heart of those who downplay postmodern art by overemphasizing its "wordplay","meanlingless" and "value-free"features. |
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| Keywords: | Linda Hutcheon postmodern fiction poetics parody metafiction |
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