| 浪漫的破产——解读《玩偶之家》兼《海上夫人》 |
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| 引用本文： | 陈剑.浪漫的破产——解读《玩偶之家》兼《海上夫人》[J].怀化学院学报,2008,27(3):62-65. |
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| 作者姓名： | 陈剑 |
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| 作者单位： | 湖南城市学院中文系,湖南,益阳,413000 |
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| 基金项目： | 湖南城市学院科技立项资助课题 |
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| 摘 要： | 娜拉是现代社会中一个浪漫的神话,她代表着依存于文明理性中的诗性,海尔茂则代表着严格的社会理性。娜拉的出走、阮克医生之死和林丹太太的婚姻都意味着在一个严酷理性时代,诗性不容于文明。《海上夫人》则为人类诗性的出路提供了理想方案。
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| 关 键 词： | 第三者 理性 诗性 |
| 文章编号： | 1671-9743(2008)03-0062-04 |
| 修稿时间： | 2007年12月27 |
The Burst-up of Romance: On "A Doll's House" and "Lady of Ocean" |
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| CHEN Jian.The Burst-up of Romance: On "A Doll's House" and "Lady of Ocean"[J].Journal of Huaihua University,2008,27(3):62-65. |
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| Authors: | CHEN Jian |
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| Abstract: | Nora is a romantic myth in this epoch.She represents the feature of the poem which depends on the rational civilization.Meanwhile,Helmer is on behalf of strict social reason.Nora's departures,Dr.Rank's death and Mrs Linde's marriage signify that the poetry can't be accepted by the civilization in a rigorous rational epoch."Lady of Ocean"offers an ideal project for people's seeking a way out of. |
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| Keywords: | the third party of family rationalism the poetry |
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