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后现代艺术的失范性
引用本文:李金仙.后现代艺术的失范性[J].大连大学学报,2007,28(4):58-61.
作者姓名:李金仙
作者单位:福州大学,工艺美术学院,福建,福州,361002
摘    要:后现代艺术的主要特征具体表现为对经典艺术的颠覆,对传统审美的颠覆,使高雅艺术与大众文化之间的界限模糊,以至被消解了。平面化和无深度的大众文化沉溺于折衷主义与符号混合之繁杂的时尚中,复制品、拼贴等作品以及反讽、戏谑的手段充斥市场,对文化的调侃和“无深度”状态感到欢欣鼓舞。艺术产生的审美特征被轻松地解构,艺术创造的本质特征成为一种重复。这些现象成为后现代艺术的基本缺陷。

关 键 词:后现代艺术  平面化  无深度  失范
文章编号:1008-2395(2007)04-0058-04
修稿时间:2006-11-21

The Loss of Standardization of Post-modern Arts
LI Jin-xian.The Loss of Standardization of Post-modern Arts[J].Journal of Dalian University,2007,28(4):58-61.
Authors:LI Jin-xian
Institution:College of Arts and Design, Fuzhou University, Fuzhou 361002,China
Abstract:The chief features of post-modern arts are as follows: overthrowing of the classical arts,rejecting of the traditional aesthetic notion,fuzzing up or even eliminating of the boundary between the elegant arts and popular culture.Complanation and popular culture that lacks in depth indulge in the vogue of eclecticism and the multifarious mixture of symbols.The works such as replicas and patchworks and the mediums such as anti-satire and jocosity flood the market.People ridicule culture and are filled with exultation at the state of "lack of depth".The aesthetic characteristics originating in art are easily deconstructed and the essence created by art becomes a repetition.These phenomena become the basic defects of post-modern arts.
Keywords:post-modern arts  complanation  lack of depth  loss of standardization
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