| 论20至40年代中国诗歌的开放性 |
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| 引用本文： | 周重新.论20至40年代中国诗歌的开放性[J].黔东南民族师专学报,2005,23(5):110-114. |
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| 作者姓名： | 周重新 |
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| 作者单位： | 贵州师范大学凯里学院中文系,贵州凯里556000 |
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| 摘 要： | 20世纪20至40年代中国诗歌,以突破闭锁态势的开放性发展机制,对中国诗歌的传统进行自觉地断裂性选择,使诗歌在认同和对接中发展新诗的表现艺术;试图梳理这一时期对西方诗歌的借鉴与归化,重新认识现代诗歌的建构方式,树立诗歌的开放意识.
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| 关 键 词： | 现代诗歌 象征主义 现代派 九叶诗派 借鉴 |
| 文章编号： | 1002-6991（2005）05-0110-05 |
| 收稿时间： | 12 25 2004 12:00AM |
| 修稿时间： | 2004-12-25 |
On the Open of the Modern Chinese poetry of 1920S and 1940S |
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| ZHOU CHong-xin.On the Open of the Modern Chinese poetry of 1920S and 1940S[J].Journal of Southeast Guizhou National Teachers College,2005,23(5):110-114. |
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| Authors: | ZHOU CHong-xin |
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| Institution: | Kaili Institute of Guizhou Normal University, Kaili, Guizhou, 556000, China |
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| Abstract: | The 20th century 20-40 times Chinese with is it lock open development mechanism of situation to break through poem ,go on choice of rupturing etc.conseiously to Chinese tradition of poem,make poem in admit and develop new behavior art of poem in connecting;Is it comb this periods to western reference of poem and is it take to rerurn to attempt,re-recognize to build way of constructing modern poem,establish the open consciousness of the poem. |
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| Keywords: | modem poem symbolism modernist nine leaf poem group reference |
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