| 《海上钢琴师》的叙事结构及其意义 |
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| 引用本文： | 巴丹.《海上钢琴师》的叙事结构及其意义[J].四川师范学院学报,2010(4):78-82. |
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| 作者姓名： | 巴丹 |
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| 作者单位： | [1]上海师范大学,上海200234 [2]右江民族医学院,广西百色533000 |
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| 摘 要： | 本文运用叙事学方法对电影《海上钢琴师》进行分析研究。该电影运用预序、迟序、顺序、兼序等叙事方式,先后展现了四组对立矛盾关系：陆地与海洋、流俗与叛逆、欲望与无欲、动摇与坚守。电影从＂坚守＂这一主题出发,对人生面临的各种选择进行了追问。
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| 关 键 词： | 叙事学 逻辑 电影 |
The Narrative Structure and Meaning of The Legend of 1900 |
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| BA Dan.The Narrative Structure and Meaning of The Legend of 1900[J].Journal of Sichuan Teachers College (Philosophy & Social Science),2010(4):78-82. |
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| Authors: | BA Dan |
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| Institution: | BA Dan(Shanghai Normal University,Shanghai 200234,China;Youjiang Medical University for Nationalities,Baise 533000,China) |
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| Abstract: | The essay analyzes the movie The Legend of 1900 by using the theory of narration.A series of narrations and flashbacks are used in the movie,which show four kinds of conflicting relationships： land and ocean,conventionality and rebellion,desire and desireless,vacillation and persistence.The philosophical meaning of the movie is to probe into a variety of choices that people face and make in their lifetime from a ＂persistence＂ theme. |
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| Keywords: | narratology logic movie |
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