| 论南朝佛经转读与永明体的产生是平行关系 |
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| 引用本文： | 龚贤.论南朝佛经转读与永明体的产生是平行关系[J].湖南科技学院学报,2008,29(9). |
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| 作者姓名： | 龚贤 |
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| 作者单位： | 江西财经大学,艺术与传播学院,江西,南昌,330013 |
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| 摘 要： | 汉语“四声”中国本有，非自印度输入。在南朝沈约等人发现“四声”之前，汉语早已形成了自己成熟的语音系统。周颐、王融、沈约等人从这个语音系统中发现并总结出“四声”、“八病”，从而产生了永明体诗歌。魏晋南朝时期，佛经传入中土时梵音并没有随之大规模传入。即使有一部分传入，因为梵汉两种语言的语音适应对方极为困难，故只有极少部分人掌握；亦因为掌握的困难而难以产生重大影响，如导致汉语“四声”产生这样的重大事件。佛经转读与永明体的产生二者之间是平行关系，佛经转读对永明体的产生影响甚微。
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| 关 键 词： | 汉语“四声” 永明体 佛经转读 |
On the Sutra Chanting and the Emergence about the Poems of Yong-Ming Style in South Dynasty |
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| GONG Xian.On the Sutra Chanting and the Emergence about the Poems of Yong-Ming Style in South Dynasty[J].Journal of Hunan University of Science and Engineering,2008,29(9). |
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| Authors: | GONG Xian |
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| Institution: | GONG Xian (Jiangxi Financial-Economic University,Nanchang Jiangxi 330013,China) |
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| Abstract: | China had been given birth to the Four-Tunes of Chinese herself,and not came from India. Before Shen-Yue found the Four-Tunes in South dynasty,the well-rounded speech system had come into being in China about her language. Zhou-Yong,Wang-Rong,Shen-Yue,and so on,all of them had found and summarized the Four-Tunes and the Eight-Principles in the system. Therefore,the poems of Yong-Ming Style been written at first time. From Wei dynasty to North-South dynasty,the sutra were introduced into china,but the tunes ... |
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| Keywords: | the Four-Tunes of Chinese the poems of Yong-Ming Style the sutra chanting |
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