| 20世纪中国家族小说的文化立场 |
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| 引用本文： | 许祖华.20世纪中国家族小说的文化立场[J].沙洋师范高等专科学校学报,2005,6(2):26-30. |
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| 作者姓名： | 许祖华 |
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| 作者单位： | 华中师范大学文学院,湖北,武汉,430079 |
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| 摘 要： | 20世纪中国家族小说的文化立场主要有三种：一种是以《金粉世家》为代表的传统文化的立场，着力用传统文化中有价值的东西否定无价值的东西；一种是以《家》为代表的新文化立场，着力从新文化的高度批判家族及其文化的弊端；一种以《财主底儿女们》、《四世同堂》、《白鹿原》等为代表，主要站在民族优秀文化的立场，着力弘扬家族文化中的优良传统。
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| 关 键 词： | 家族小说 文化立场 |
| 文章编号： | 1672-0768(2005)02-0026-05 |
| 修稿时间： | 2004年3月9日 |
Culture Position of Chinese Saga Novels in the 20th Century |
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| XU Zu-hua.Culture Position of Chinese Saga Novels in the 20th Century[J].Journal of Shayang Teachers College,2005,6(2):26-30. |
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| Authors: | XU Zu-hua |
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| Abstract: | There are mainly three kinds of culture position of Chinese saga novels in the 20th century. One of them is a position of traditional culture represented by Gold Power Aristocratic Family , putting forth effort on valuable things to deny valueless ones in traditional culture; Another is a position of New Culture represented by Family , putting forth effort on criticizing drawbacks of family and its culture from the standing of the New Culture. The third one stands for the national outstanding culture mainly which regards The Dives' Children, Family With Four Generations, The White Deer Country as representatives , putting forth effort on carrying forward the excellent traditions in family culture. |
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| Keywords: | saga novels culture position |
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