| 北宋初期骈散对立互融与欧阳修“以文体为四六” |
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| 引用本文： | 莫山洪.北宋初期骈散对立互融与欧阳修“以文体为四六”[J].钦州学院学报,2011,26(2). |
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| 作者姓名： | 莫山洪 |
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| 作者单位： | 柳州师范高等专科学校中文系,广西柳州,545004 |
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| 基金项目： | 广西教育厅2009年科研项目:“唐宋文章骈散对立与互融的历史演变”(200911MS296) |
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| 摘 要： | 北宋初期,对西昆派的反对形成了北宋的骈散对立。欧阳修为了避免与传统发生直接正面的冲突,通过以文体为四六,即将古文创作的方法技巧运用于四六创作中,创造出一种新颖的四六文章形式。以文体为四六又和以四六为文体相联系在一起,欧阳修的古文也在一定程度上融合了四六句式的整齐对仗,把四六的节奏引入古文之中。欧阳修改变了传统文章中骈散绝对对立的情形,使骈散再度融合,成为新的文章风范。
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| 关 键 词： | 骈散 欧阳修 四六 古文 北宋初期 |
Controversy to Harmony of PianSan in Early Northern Song Dynasty and OuYang Xiu's with Style as the Rhythmical Prose |
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| MO Shan-hong.Controversy to Harmony of PianSan in Early Northern Song Dynasty and OuYang Xiu's with Style as the Rhythmical Prose[J].Journal of Qinzhou University,2011,26(2). |
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| Authors: | MO Shan-hong |
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| Institution: | MO Shan-hong(Department of Chinese Language and Literature,Liuzhou Teachers College,Liuzhou 545004,China) |
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| Abstract: | In early Northern Song Dynasty,the opposition to Xikun School gave rise to the controversy of PianSan in the dynasty.To avoid direct conflicts with traditions,Ouyang Xiu created a novel form of rhythmical prose via with style as the rhythmical prose,which means to employ the methods and skills of ancient style prose writing to the creation of rhythmical prose.Connecting with style as the rhythmical prose to with four and six characters as the style,Ouyang Xiu's ancient style writing,to some extent,blended t... |
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| Keywords: | PianSan Ouyang Xiu Rhythmical prose ancient style prose early Northern Song Dynasty |
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