| 传统山水画中色光存在的可能性探究 |
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| 引用本文： | 肖霞.传统山水画中色光存在的可能性探究[J].内江师范学院学报,2009,24(11):135-137. |
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| 作者姓名： | 肖霞 |
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| 作者单位： | 内江师范学院张大千美术学院,四川,内江,641112 |
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| 摘 要： | 中国传统山水画对自然中色光的体现有其特殊的方式。受儒道哲学体系的影响，自古以来画家们把现实中的黑白灰关系归纳为阴阳向背关系，并以其独特的方式——笔墨来表现。在中国传统山水画里不仅存在着色光的表现形式，而且对色光的表现是一种超越现实、又存在于现实，具有精神内涵的高级表达方式，是特有的一种形式。
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| 关 键 词： | 传统山水画 色光 色光存在 |
A Study of Possibility of Chromatic Light in Traditional Landscape Painting |
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| XIAO Xia.A Study of Possibility of Chromatic Light in Traditional Landscape Painting[J].Journal of Neijiang Teachers College,2009,24(11):135-137. |
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| Authors: | XIAO Xia |
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| Institution: | XIAO Xia (School of ZHANG Da-qian Art, Neijiang Normal University, Neijiang, Sichuan, 641112, China) |
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| Abstract: | The traditional Chinese landscape painting has its special way of using the chromatic light. Influenced by the Confucius philosophy, painters have classified the relationship between white and black into the opposite one between Yin and Yang, which is expressed with the unusual way： ink. The expression of the traditional Chinese painting is not only of chromatic light, but of surrealism, which exists in reality and is rich in spiritual connotation. |
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| Keywords: | the traditional Chinese landscape painting chromatic light existence of chromatic light |
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