| 商周神话与中国古代审美意识的发生 |
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| 引用本文： | 毛宣国.商周神话与中国古代审美意识的发生[J].湖南师范大学社会科学学报,2000,29(1):25-32. |
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| 作者姓名： | 毛宣国 |
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| 作者单位： | 湖南师范大学文学院,湖南,长沙,410081 |
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| 摘 要： | 神话是各民族文化原的精神母体，从商周神话亦可以追溯中国古代审美意识发生的某些重要特点，（一）商周神话中始祖神话突出，反映了中国古代艺术审美很早具有的夫伦倾向，并影响到中国古代复古恋古、以古为是审美观念的形成。（二）商周神话的生命意识，寄需和塑造着中华民族的生命美学精神。（三）商周神话人化程度低和叙述因素缺乏的特点，在某种程度上规范着中国艺术审美的发展道路，影响到中国古代叙事文学风格的形成。（四）从
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| 关 键 词： | 商周神话 中国 古代 审美意识 人化程度 |
| 文章编号： | 1000-2529(2000)01-0025-08 |
| 修稿时间： | 1999年10月5日 |
The Myths in Shang and Zhou Dynasties and the Generation of Ancient Chinese Aesthetic Consciousness |
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| MAO Xuan,guo.The Myths in Shang and Zhou Dynasties and the Generation of Ancient Chinese Aesthetic Consciousness[J].Journal of Social Science of Hunan Normal University,2000,29(1):25-32. |
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| Authors: | MAO Xuan guo |
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| Abstract: | Myth is the spiritual mother of national cultures. The main features of geneation of ancient Chinese aesthetic consciousness can be traced back to the myths in Shang and Zhou dynasties: (1)Their remarkable idea of archae ancestor shows that there existed early a tendency of socially human relation in ancient Chinese art and aesthetics, which influenced on Chinese's traditional feeling of inclining to and returning to the ancient. (2)Their strong consciousness of life suggested and shaped Chinese's spirit of life aesthetics. (3)Their scareness of personalization and narration determined to some extent the orientation of ancient Chinese art and aesthetics and the narrative mode of ancient Chinese literature. (4)They conceived the origin of some categories of ancient Chinese aesthetics. |
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| Keywords: | myths in Shang and Zhou dynasties ancient Chinese aesthetic consciousness ancient Chinese art |
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