| 杜夫海纳现象学美学中的审美知觉理论 |
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| 引用本文： | 李瑞春.杜夫海纳现象学美学中的审美知觉理论[J].内蒙古师范大学学报(哲学社会科学版),2008,37(1):105-108. |
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| 作者姓名： | 李瑞春 |
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| 作者单位： | 内蒙古师范大学,文学院,内蒙古,呼和浩特,010022 |
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| 摘 要： | 审美知觉理论是杜夫海纳现象学美学理论中的有机组成部分。审美知觉包含呈现、再现和想象、思考三个阶段，它们是和审美对象的感性、再现对象和表现的世界相吻合。审美对象的显现首先是呈现于欣赏者的肉体，而想象则使审美对象的再现对象呈现出来，审美知觉中的思考是“依附性思考”，也是一种情感性思考。
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| 关 键 词： | 呈现 再现和想象 思考 情感 |
THE AESTHETIC PERCEPTION THEORY IN DUFRENNE'S PHENOMENOLOGICAL AESTHETICS |
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| LI Ruichun.THE AESTHETIC PERCEPTION THEORY IN DUFRENNE'S PHENOMENOLOGICAL AESTHETICS[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2008,37(1):105-108. |
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| Authors: | LI Ruichun |
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| Institution: | LI Ruichun ( College of Liberal Arts, Inner Mongolia Normal University, Hohhot, Inner Mongolia, China 010022) |
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| Abstract: | The aesthetic perception theory is an organic component of Dufrenne＇ s phenomenological aesthetics. It consists of three stages： namely, presentation, reproduction and imagination, and thinking, and they are in agreement with the perception, the reproduced objects and the manifested world of aesthetic objects. Aesthetic objects are firstly shown to spectators, and imagination displays the reproduced objects. Thinking in aesthetic perception is of ＂dependent characteristic＂, and it is also emotional thinking. |
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| Keywords: | representation reproduction and imagination thinking emotion |
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