| 论家班在昆曲发展史上的意义 |
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| 引用本文： | 朱建华.论家班在昆曲发展史上的意义[J].江苏广播电视大学学报,2005,16(4):43-46. |
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| 作者姓名： | 朱建华 |
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| 作者单位： | 泰州师范高等专科学校,江苏,泰州,225300 |
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| 摘 要： | 家班是昆曲有别于元杂剧和京剧的重要特征，明清两代士大夫普遍蓄养家伶的风气，推动了昆曲的普及和流行，同时也促进了昆曲文学剧本创作的繁荣，完善了昆曲舞台演出的体制和表演规范。从审美特征到舞台演出体制，昆曲的很多方面都深深地打上了家班阶段的烙印。这种影响和痕迹主要表现在：尚雅的美学趣味及含蓄优美的演出风格；生旦戏、折子戏为主的舞台传统；歌舞并重的表演形式；有别于明星制的以剧本为中心的角色制。
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| 关 键 词： | 昆曲 家班 艺术特征 |
| 文章编号： | 1008-4207(2005)04-0043-04 |
| 收稿时间： | 05 6 2004 12:00AM |
| 修稿时间： | 2004年5月6日 |
The Role that Family Troupe Played in the Progress of Kun Opera |
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| ZHU Jian-hua.The Role that Family Troupe Played in the Progress of Kun Opera[J].Journal of Jiangsu Radio & Television University,2005,16(4):43-46. |
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| Authors: | ZHU Jian-hua |
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| Abstract: | Family troupe has made Kun Opera differ from Yun Drama and Peking Opera. The custom of the intelligentsia' s sponsoring of family troupe in the Ming and the Qing Dynasties promoted the popularity of Kun Opera, boosted the flourish of its play writing, and perfected the mechanism and the criterion of performance. The family troupes' great effects on Kun Opera are as following: the aesthetic gout that advocates elegance, an implicative graceful style, the stage tradition of the young male and female protagonists, multi-acts show, and combining singing and dancing in performance. This is different from the star oriented system which takes the scenario as its center. |
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| Keywords: | Kun Opera family troupe artistic character |
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