| 探析古典主义时期和声风格与审美意蕴(下) |
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| 引用本文： | 张楠,张丽.探析古典主义时期和声风格与审美意蕴(下)[J].辽宁师范大学学报(社会科学版),2012(1):112-117. |
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| 作者姓名： | 张楠 张丽 |
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| 作者单位： | 辽宁师范大学音乐学院 |
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| 摘 要： | 古典主义时期,大小调功能和声已成为一种定型的技法体系,其严谨的T-S-D-T功能逻辑成为创作实践中作曲家们共同遵循的准则。古典主义协和观念日臻完善,并促进人们感情表达与理性观念、形式美的统一。罗可可风格、华丽风格、情感风格凸显出前古典时期和声风格与人们的审美情趣。维也纳古典乐派是古典主义音乐的顶峰,其完美的古典主义协和观念、协和与不协和的丰富的平衡关系,鲜明地体现出典雅、均衡、严谨的和声风格与审美意蕴。
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| 关 键 词： | 古典主义时期 和声风格 协和与不协和 审美意蕴 |
An Analysis of Harmonic Style and Aesthetic Meaning during the Classical Period |
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| ZHANG Nan,ZHANG Li.An Analysis of Harmonic Style and Aesthetic Meaning during the Classical Period[J].Journal of Liaoning Normal University(Social Science Edition),2012(1):112-117. |
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| Authors: | ZHANG Nan ZHANG Li |
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| Institution: | (School of Music,Liaoning Normal University,Dalian 116029,China) |
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| Abstract: | The major-minor functional harmony had become a normal system of technique in the classical period,of which strict T-S-D-T logic becomes the common rules of composers’ practice.The classical consonance became perfect,which advances the balances between emotional expression,reason and formal aesthetics.The harmonic style and aesthetic interest of Pre-classical period are exposed to Rococo,gallant style and empfindsamkeit.Viennese Classical School is the summit of the classical music,of which the perfect classical consonance and the varied relationship between the consonance and dissonance clearly reflect the harmonic style and aesthetic meaning in elegance,balance and rigor. |
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| Keywords: | classical period harmonic style consonance and dissonance aesthetic meaning |
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