| “在场”视阈下花儿的创作和表演刍议 |
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| 引用本文： | 李言统.“在场”视阈下花儿的创作和表演刍议[J].青海师范大学学报(哲学社会科学版),2007(2):86-90. |
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| 作者姓名： | 李言统 |
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| 作者单位： | 青海师范大学,人文学院,青海,西宁,810008 |
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| 摘 要： | 花儿作为一种演唱艺术，是歌手在特定情境下的即兴创作和表演。而创作和表演是花儿演唱过程的两个方面，是由歌者和听众在特定的时空下共同构成的一种“在场”。在这种“在场”视阈下，花儿演唱呈现出一些新的特征。本文从歌手与听众、创作与表演的关系人手，对花儿在创作和表演中的程式化特征和表演性特征做一新的探讨。
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| 关 键 词： | 花儿 表演 创作 程式化 |
| 文章编号： | 24167577 |
| 修稿时间： | 11 10 2006 12:00AM |
Discussion on "being present" Horizon under Huaer's Creation and Performance |
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| LI Yan-tong.Discussion on "being present" Horizon under Huaer''''s Creation and Performance[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2007(2):86-90. |
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| Authors: | LI Yan-tong |
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| Institution: | Humanities Academy , Qinghai Normal University , Xining 810008, China |
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| Abstract: | Being a kind of performance's art,the Huaer is a creation which the singers complete under the specific performance situation,based on the method of formula to complete emergence and context works.This article peers infrom the singer and the audience,the creation and the performance relation,and analyzes the formula characteristic and the performance characteristic which rise in the performance. |
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| Keywords: | Huaer performance creation formula |
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