| 论六朝诗歌中的桃意象 |
| |
| 引用本文： | 潘小翠.论六朝诗歌中的桃意象[J].绵阳师范学院学报,2013(10):36-38,54. |
| |
| 作者姓名： | 潘小翠 |
| |
| 作者单位： | 西华师范大学文学院,四川南充637000 |
| |
| 摘 要： | 六朝诗歌在中国古代诗歌发展史上具有不可估量的作用,其诗歌中出现的多种意象都对后世诗歌的发展给予了相当丰富的养料和扩展空间。桃意象是六朝诗歌中出现得较频繁的意象之一,因此也是研究六朝诗歌的一个重要方面。六朝诗歌中的桃意象,导致了后世桃花诗的大量出现,以及桃花源诗歌范式的复现。
|
| 关 键 词： | 六朝诗歌 桃意象 |
The Effects of the Six Dynasties Poetry on the Later Poetry-Peach Imagery |
| |
| Institution: | PAN Xiao - cui ( School of Literature, China West Normal University, Nanchong, Sichuan 637000) |
| |
| Abstract: | Poetry from the Six Dynasties plays an important role in the history of the development of Chinese ancient poetry, in which there exist multiple images which render the later poetry rich nutrients and a space for development. The plant＇s image is a kind of phenomenon more numerous in poetry, and Tao （peach） is one of them. Tao imagery is one of the most frequently used images in Six Dynasties poetry, and therefore become an important aspect to study. Tao imagery leads to many a peach poem in later times, and also motivates the reappearing of Tao - poem pattern. |
| |
| Keywords: | Six Dynasties Poetry later poetry impact peach imagery |
| 本文献已被 维普 等数据库收录！ |
|
