| 论现代工笔重彩的装饰性取向 |
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| 引用本文： | 赵爱军.论现代工笔重彩的装饰性取向[J].六盘水师范高等专科学校学报,2009,21(4):30-31,65. |
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| 作者姓名： | 赵爱军 |
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| 作者单位： | 六盘水师范学院艺术系,贵州六盘水,553004 |
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| 摘 要： | 工笔重彩是中国传统工笔的一种重要的表现形式，在其发展中由于受西方艺术的影响。其装饰性的特征得到强化，相对于传统工笔重彩而言，其造型夸张、变形，色彩主观化，技法和材料不断创新，具有很强的现代构成的装饰意味，体现了现代人的审美特征。
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| 关 键 词： | 现代工笔重彩 装饰性 现代构成 审美 |
Modern Fine Brushwork Decoration Color Re-orientation |
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| ZHAO Ai-jun.Modern Fine Brushwork Decoration Color Re-orientation[J].Journal of Liupanshui Teachers College,2009,21(4):30-31,65. |
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| Authors: | ZHAO Ai-jun |
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| Institution: | The Art Department;Liupanshui Normal College;Liupanshui 553004;China |
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| Abstract: | The color in fine brushwork of traditional Chinese painting is an important form of expression. In its development due to the impact of Western art, the decorative features have been strengthened, and compared with the traditional emphasis on color in terms of fine brushwork, and its exaggerated form, deformation, color subjective and innovative techniques and materials, and highly decorative means of modern composition, reflecting the characteristics of the modern aesthetic. |
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| Keywords: | modern bird re-color decorative modern composition aesthetic |
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