| 在"言志"与"摹仿"之间--兼与曹顺庆先生商榷 |
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| 引用本文： | 何旺生.在"言志"与"摹仿"之间--兼与曹顺庆先生商榷[J].安徽教育学院学报,2004,22(1):73-76. |
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| 作者姓名： | 何旺生 |
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| 作者单位： | 安徽教育学院,科研处,安徽,合肥,230061 |
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| 摘 要： | "言志"说与"摹仿"说出自中、西方不同的诗学话语体系,在美学内涵和价值追求方面有着巨大差异.但它们共同体现了对文学艺术的某些本质规律的探索和认识,都很重视艺术的社会作用,其终极价值关怀是一致的,本质上都是"为人生而艺术"的.
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| 关 键 词： | 诗言志 摹仿 比较诗学 |
| 文章编号： | 1001-5116(2004)01-0073-04 |
| 修稿时间： | 2003年11月26日 |
On "Picture of the Mind" and "Mirror" |
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| HE Wang-sheng.On "Picture of the Mind" and "Mirror"[J].Journal of Anhui Institute of Education,2004,22(1):73-76. |
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| Authors: | HE Wang-sheng |
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| Abstract: | Two terms "poetry, the picture of the mind" and "mirror" originate from the different discourse systems of Chinese and Western poetics. They are quite different in aesthetic connotations and pursuit of value, but they share some understandings about and explorations into the essential law of literature & arts. They both attach great importance to the social functions and ultimate values of the arts, that is, "arts for the sake of life". |
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| Keywords: | poetry: picture of the mind mirror comparative poetics |
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